Nanomorph 1.5X LF Anamorphic (32mm, 42mm, 55mm, 85mm)

Description Have Pro Anamorphic Your Way “This set of anamorphic lenses delivers cinematic-level image quality and offers the flexibility, compactness, and versatility needed for various creative expressions. It provides freedom for composition, low focus breathing, and high enough quality to integrate your accessories and enhance post-production.” Beyond Full Frame Coverage https://laowacine.com/wp-content/uploads/2024/12/LF-sensor.m4v The large image circle (Ø44.71mm) reduces vignetting and ensures optimal coverage for the ARRI Alexa LF 4.5K Open Gate (⌀44.71mm), maximizing resolution without cropping. It supports full-frame sensors and multiple aspect ratios (16:9, 3:2, 4:3), allowing seamless output to 2:1, 2.25:1, 2.66:1, and 2.4:1 while preserving image quality. © Nonny Abhisit Constant 1.5x Squeeze Ratio https://laowacine.com/wp-content/uploads/2024/12/1.5-x-squsse-ratio.m4v © Kiva © Alexandru Don  © Victor Laforteza © Patrick Tommaso With a 1.5x squeeze ratio, you will achieve a 2.66:1 aspect ratio on a 16:9 sensor after de-squeezing. Compared to a 1.33x anamorphic lens, the Laowa Nanomorph 1.5x Series delivers a much more pronounced anamorphic and cinematic look. With a 1.8x or 2x squeeze ratio, the size of the lens would also significantly larger, and much of the image is wasted when paired with a 16:9 sensor. Consistent Oval Bokeh From Centre to Edge https://laowacine.com/wp-content/uploads/2024/12/2.4-bokeh.m4v © Kiva  © Dins Film © Alexandru Don © Corey Hour  © Stephen Ford  The 1.5x squeeze ratio delivers signature anamorphic characteristics, creating a smooth, organic waterfall focus roll-off in the background—one of the most sought-after traits in the film industry. “Moon-shaped” bokeh isn’t for everyone. The Nanomorph LF offers a more consistent bokeh across the frame. Outstanding Image Quality https://laowacine.com/wp-content/uploads/2024/11/Outstanding-Image-Quality.m4v © Victor Laforteza If you have a variety of storytelling styles, this lens is perfect for you. It delivers impressive image quality for both theatrical and cinematic use, offering versatility for different productions while matching modern sensors.  It gives filmmakers ample room for creative post-production work, giving extra flexbility in creativity. Great Flexibility in Composition https://laowacine.com/wp-content/uploads/2024/12/2.4-composition-v2-1.m4v © Alexandru Don © Dins Film © Gary Scaife  © Shikijo ©Partrick Tomasso Some anamorphic lenses in the market create a “swimming effect” near the edges, overcompressing objects and limiting creative freedom. The Nanomorph LF offers excellent edge distortion control, allowing for more flexibility in composition.   https://laowacine.com/wp-content/uploads/2024/12/Controlled-distortion.m4v © The Film Guy Three Flare Options https://laowacine.com/wp-content/uploads/2024/12/2.4-update-flare.m4v © Corey Hour © Kristoffer Davidsson © Alexandru Don The Nanomorph LF series offers a variety of flare coatings—amber, blue, and silver—allowing filmmakers to adapt the lens to their creative vision. Whether seeking a classic blue flare or a more neutral look, the Nanomorph LF series delivers versatile options for every project. Low Focus Breathing https://laowacine.com/wp-content/uploads/2024/12/BREATHE_2.mp4 © Stephen Ford Low focus breathing ensures stable framing and smooth transitions, making it perfect for seamless focus pulls.     Compact Prestigious Lens Nanomorph LF set strikes the sweet spot between compact size, weight, optical quality, and professional usability, making these lenses ideal for a wide range of productions. Precision with Extended Focus Throw The long focus throw (270°) allows for precise adjustments when focusing, which enhances control over depth of field and focus effects. Easy Back Focus Calibration This mechanism always allows calibrate the back focus on site easily and quickly. Interchangeable Mount The interchangeable mount system lets you swap mounts to match different cameras. The Nanomorph LF comes with an Arri PL mount with a Canon EF bayonet by default, with additional bayonets available for purchase. Click to Watch Mount Conversion Tutorial Professional Cine Housing All Nanomorph LF 1.5x lenses can be switched quickly between focal lengths to work with the same set of gears. Both imperial and metric scales are available on the lens. Easy Conversion to Multiple Camera Systems. A standard 77mm filter thread is designed to mount screw-in filters easily. 0.8 MOD GEAR – For both aperture and focus ring -> Download The Clearance Check Here Specification REVIEW