A LIGHT & CHIC SET FOR YOUR EVERYDAY SHOOTINGNew 16-30mm T2.9Sorry, your browser doesn't support embedded videos.FULL-FRAME COVERAGEThe lenses come with a Ø 43.2mm image circle, supporting full-frame and s35 cameras.Special Lite VersionCrafted with a magnesium alloy rehousing lens body, the Ranger Lite version offers 10% lighter in the set, making you enjoy a truly effortless shooting experience.Time for a footloose experience of filming. Simply pair it with your gimbal, car rigs, shoulder rigs, etc., or even shoot with a handheld, to get all kinds of scenes for your film.Sorry, your browser doesn't support embedded videos.Sorry, your browser doesn't support embedded videos.Sorry, your browser doesn't support embedded videos.>11X VERSATILE ZOOM RANGEWith the long zoom range, you can now have a variety of choices for your story framing: go wider to reveal a stunning landscape or go further to witness the motion of a specific object. Any frames that is possible to enrich your film can be done with the Ranger. Constant T2.9 ApertureRanger offers a T2.9-T22 aperture range. The lenses maintain a constant T2.9 aperture throughout their zoom range, eliminating the need for exposure compensation when you zoom in. You can work with the lenses in dim light environment effortlessly.Sorry, your browser doesn't support embedded videos.EXTREMELY CLOSE FOCUSING DISTANCEAll the desirable details can be captured, and preserved with a decent depth of field. Let your lens become a powerful tool for evoking emotions by capturing the subject’s essence intimately.Parfocal DesignParfocal DesignYou are able to keep the object in focus whenever zooming in or out, even shoot with the intense zoom at ease without focusing off.UNSEEN FOCUS BREATHINGUNSEEN FOCUS BREATHINGThe amount of breathing can be well contained for you to have a seamless focus shifting.PROFESSIONAL CINE HOUSINGBUILT-IN BACK FOCUS ADJUSTMENT – No more redundant shimming process is needed, you can have simple and easy focus calibrating on site. (Available for 28-75 and 75-180mm)UNIFIED GEAR POSITION – 28-75 and 75-180mm can be switched quickly between focal lengths to work with the same set of gear.80MM OUTER DIAMETER AND 77MM FILTER THREAD – Designed to accommodate the common matte boxes or filtersLENS SUPPORTING THREAD – To have your tripods and gears screwed into the right place and distance needed0.8 MOD GEAR – For both aperture and focus ringDUAL SCALE DESIGN – Both imperial and metric scales are available on the lens.270° FOCUS THROW & 100° ZOOM THROW – Support a finer and more accurate degree of change in such versatile focal distanceEach lens comes with a native PL mount, and an interchangeable EF bayonet is included in the box. For the mirrorless version, Canon RF, Sony E, Nikon Z, and L mount, are available and interchangeable as well. You may add USD100 for an extra bayonet mount into your Perk.SPECIFICATIONSNEWS & REVIEWSBrad Watanabe – Affordable Full Frame Cinema Zoom Lenses | Laowa Ranger KitLaowa Ranger Zoom Lenses VS DZO Catta (Full Frame Cinema Lens Comparison Review)Cine Dailies – Cine zooms with vintage character | Laowa RangersJason Morris – Laowa Ranger Cinema Zooms vs Photography ZoomsKofi Yeboah – Laowa Ranger 75-180mm T2.9 – The Lens That Changed My MindNorthwest Camera Co.－ Laowa Ranger Zooms – The BEST Budget Zooms?CVP – The Cine Lens We’ve Been Waiting For?!ProAV TV- DZOFilm Catta vs Laowa Ranger | Which Full-Frame Cinema Zoom?SHOT WITH RANGERFashion FilmLens: 28-75mm T2.9Camera: BMCC6K FF Open Gate 3:2Filmed by: Michał PalikotFashion FilmLens: 28-75mm T2.9Camera: BMCC6K FF Open Gate 3:2Filmed by: Michał PalikotThe Embassy – A Short War ThrillerLens: 28-75mm T2.9 75-180mm T2.9Camera: Sony FX3Film by: Red Angel ProductionsLens: 75-180mmCamera: RED VRaptor 8k VVFilm by: Film Dreams Inc.Everything shot in Los Angeles: From Polo games to an afternoon of working out, and a night at the Griffith Park Observatory.Lenses: 28-75mm and 75-180mmFilmed by: James Tonkin (hangman.film)James recorded a carefree day with his family using the Laowa Ranger Series. Spotted Luna wandering around and capturing adorable moments with her little camera — like father, like daughter.Lens: 28-75mmCamera: Z Cam S6Filmed by: Viktor Bruno @vikbrunoImmerse into the calm and peaceful hiking with Viktor, as he discribed the short film as a “photo hike ASMR” with the Ranger.Lens: 28-75mm (PL mount)Camera: Red KomodoFilmed by: Shikijo Pestroski @shikijoBuckle up and get ready for the fast and furious ride with Shikijo!Lens: 75-180mm (E mount)Camera: Sony FX6Filmed by: Jonas Puidokas @enigmed_Any reason for you to be a filmmaker? Do you ever recall why you first start to be a filmmaker? Let’s see and listen to Jonas’s simple pure love of filmmaking.Lens: 28-75mmFilmed by: Benjamin Webber @BendoescameraDo you ever miss someone?Lens: 28-75mmCamera: Sony A7IVFilmed by: Viktor Bruno @vikbrunoLet’s see Viktor filming the chilling story of AngeliqueLens: 28-75mmCamera: Sony A7IVFilmed by: Louis Citadelle @louiscitadelleLouis Citadelle as a cycler, using the Ranger to do a self-cycling documentary.
